So much so that when it sticks around for a senseless coda, you’re happy to indulge it bouncing around for another minute or so. “Sympathy for the Auto Industry” makes a strong argument for crossover success with an affable analog riff and easy pacing. Maybe even more unexpected is that it’s a worthwhile, if curious, denouement on the Lambchop legacy, such as it is now, and not an entirely unpleasant listening experience. What might be a little more unexpected is a turn into house music 15 years later. Maybe that’s not so uncommon for a band that was lumped in with alt-country’s most prosperous moment at the turn of the century. Artistically? Well, I find myself at a bit of loss when digging through the catalog. Where Lambchop cut a very clear lane for itself with 2000’s Nixon, the band never made much of an effort to follow through commercially. He’s a considerable talent, but not particularly interested in pushing it on you. We love you for trying and we’re trying to love you back.Fire Note Says: Kurt Wagner follows a new path with his band HeCTA.Īlbum Review: Kurt Wagner tends to duck any fight to establish a legacy as a treasured American songwriter. Why would it be? And like any good diet it will be reviled then ultimately loved by all that give it a chance to work it’s way into their lives. It’s not Americana, house, techno, trap, juke or blaze. This music is our attempt to extend the boundaries of our expression and have some fun. With invaluable creativity and engineering by Jeremy Ferguson at Battle Tapes in Nashville we together created what we consider to be a collection of songs that move and move through you, from the dashboard to the dance floor, from Decatur to Dornburg, from Dorchester to Detroit. Such greats as Morgan Geist, John McEntire, and “Q” all had a hand in shaping the refined sound we present to you. So much so that when it came time to mix these recordings we reached out to some of the central figures of the genre. As HeCTA we take our approach seriously and are respectfully aware of the great electronic music created throughout its history continuing into the present. The results became “The Diet” and those songs are with us now. The form is not such a surprise when you consider other electronic collaborations I’ve been involved with: Zero 7’s remix of Lambchop’s “up with people” and co writing X-?press2’s “Give It”. We were looking for a new way of making songs incorporating these things, to make something concise on beat. It was to be an equal sharing of ideas, influences and missteps. Using the idea of combining the notion of “song” and elements from stand up comedy, and electronic music and a shared love of the electronic form and it’s many permutations we respectfully, playfully, explored and experimented. I went about the realization of this idea with fellow Lambchops and electronic-? minded musicians Ryan Norris (Coupler) and Scott Martin (Hobbledieons). Woe be it unto the man whose tastes are frozen forever for given time, space, and understanding, such things become reborn and re imagined as we search for a creative kernel of truth. It unlocked in my mind a genre of music long dormant in memory yet an influence so prevailing in a variety of current musical genres. In reading it I saw parallels between the dance culture of that era and the indie-?rock/punk /experimental music culture. It occurred to me that it could make an interesting dance recording given the right situation and circumstance.Įqually inspirational was the book “Love Saves the Day A history of American Dance Music Culture 1970-?1979” by Tim Lawrence. It was on a 78 rpm record on the Coral Records imprint. A few years ago I came across a 45 second monologue about trying to lose weight performed by the comedian Buddy Hackett. “Diets? Who needs ‘em? Well, if you’re like Buddy Hackett, or us. HeCTA is the brainchild of Kurt Wagner, Ryan Norris and Scott Martin of Lambchop, but don't call it a "side-project"! HeCTA is rather an "expanded universe"! Exploring and experimenting with the idea of combining the notion of “song”, elements from stand up comedy, electronic music and a shared love of the electronic form and it’s many permutations, HeCTA and the album “The Diet” does not sound like anything these guys have done before.
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